Ernest
Jones, “The Oedipus-Complex as an Explanation of Hamlet's Mystery: A
Study in Motive” (The American Journal of
Psychology) (1910) |
A.C.
Bradley, “Hamlet” from Shakespearean Tragedy
(1904) |
A.W.
Schlegel, “Lectures on Dramatic Art and Literature” (1809) |
S.T. Coleridge, “Lectures and
Notes on Shakespeare and Other English Poets” (1818) |
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Extended
Introduction: rebutting previous theories: |
Extended
Introduction: rebutting previous theories |
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Cowardly
Hamlet (4): the
pure Goethe school; Rebuttal (6) |
External
Difficulties (3): Hamlet
wanted public
justice. (3) Rebuttal
(4-5) |
THESIS: Thought Sick Hamlet : “a
calculating
consideration, which exhausts all the relations and possible
consequences of a deed, must cripple the power of acting” (1) |
THESIS:
Thought Sick Hamlet: “Hamlet
is brave and careless of death; but he vacillates from
sensibility, and procrastinates from thought, and loses the
power of action in the energy of resolve.” (1)
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Political
Hamlet (6): Hamlet
must not only slay Claudius but convict
him of the
crime in the eyes of the nation; Rebuttal (8) |
Ethical
Hamlet (5): Hamlet was
restrained by conscience
or a moral scruple. Rebuttal
(5) |
Rebuttal of
the Goethe thesis (in Schlegel’s analysis, the Ethical
Hamlet.): “his
far-fetched scruples are often mere pretexts to cover
his want of determination” (2) |
“He
mistakes the seeing of his
chains for the breaking them, delays action till action is of
no use, and dies the victim of mere circumstance and accident.” (2) |
It is more
likely that Hamlet is paralyzed (10): Disgust
with a special feature of the task? |
Moral
repulsion to the deed (6): in
the depths of his nature, and unknown to
himself: Rebuttal
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Rebuttal of
the Moral repulsion thesis: “he
is too much overwhelmed with his
own sorrow to have any compassion to spare for others…” (2) |
Hamlet’s wordplay: (in Iii):
“Seems, madam? nay I
know not ‘seems’” :
“his
habit of brooding over the world within him … with... words, which are
the half embodyings of
thought .” |
Is it moral
disgust? Ethical Hamlet (10): Hamlet
gravely doubted the moral
legitimacy of revenge;
Rebuttal |
Cowardly
Hamlet: the sentimental
view (7):the Goethe school; Rebuttal
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Conclusion:
Shakespeare as religious skeptic: “The
destiny of humanity… a gigantic Sphinx, which threatens to precipitate
into the abyss of scepticism all who are unable to solve her dreadful
enigmas.” (2) |
Hamlet’s
reaction to seeing the
Ghost (I.iv): “cunning
bravado, bordering on the flights of delirium…. pretending to act only
when he is very near really being what he acts.” |
Some other
special cause of repugnance of which he was unaware (11)? |
Thought Sick
Hamlet (9): the Coleridge and
Schlegel theory; Rebuttal |
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Hamlet’s
reaction to The Mousetrap: “The
utmost at which Hamlet arrives, is a disposition,
a mood, to do something… but what to do, is still left undecided, while
every word he utters tends to betray his disguise. |
The powers
of self-deception in the
human mind (13) |
Hamlet
before the tragedy (11): an ideal prince |
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The Iago
Argument (13): Hamlet
gives too many different
reasons for his inaction for any to be believable: Aboulia: the truth
is that he cannot will. (13) |
THESIS:
Hamlet’s Melancholy (11): melancholy aligned with a
disposition to idealise (12) and intellectual genius
(13) |
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Hamlet’s
capture by pirates
and escape (IVvii): “the
over-meditative Hamlet, ever at last determined by accident or by a fit
of passion!” |
Sexual Taboo
(16): Conventional morality
forces us to repress sexual impulses most forcefully. |
Violent shock
to his moral being (15): the sudden ghastly disclosure of his mother's true nature… |
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From
the "Table Talk"
(June 15, 1827): Hamlet's
character is the prevalence of the abstracting and generalizing habit
over the practical.” |
Claudius vs.
Gertrude (17): there
can be no question as to which
arouses in him the deeper loathing. |
Hamlet’s
response (16): Hamlet has the imagination
which, for evil as well as good, feels and sees all things in one. |
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THESIS: The
Oedipus Complex (18): How
if, Hamlet had in
years gone by bitterly resented having to share his mother's
affection even with his father… |
Melancholy: clinical definition
(17): but not insanity |
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The child learning to love…
(22); Repression
(22); Possessive
traits in the Queen's character… (23); The child’s attitude
towards the father…
(24); Reaction
against Ophelia
(25); The inability
to act… (26) |
Accounts for
Hamlet’s inaction… ' inaction.'…his manic phases…
(18) … his lethargy…
(19)… his own inability
to understand… |
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Summary (27) |
Conclusion
(19) |
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Dream
patterns: ‘decomposition’
and ‘condensation’… |
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Hamlet’s
simulation of madness
(33) |
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