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(Detail is insufficient;
provide more complete evidence.)
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No matter how good an idea might be, it must
be directly related not only to your
argument but to a specific moment in the
text. Choose from the text the perfect
moment in the action to support your idea.
Example:
The audience
should not be surprised by the
stunning entrance of
sleepwalking Lady Macbeth,
babbling about blood and
incessantly wringing her hands.
One can trace the beginnings of
her breakdown to moments early
in the action. On the night of
Duncan's murder, while she
anxiously awaits her husband's
return from the king's bed
chamber, Lady Macbeth confides
to the audience, "Had he not
resembled/ My father as he slept
I had done't." (II, ii, 13-14) |
Using Examples in Your Argument (Darling
et al)
Giving Examples and Explanations
(Sentence Sense)
Using Specific Language (Sentence Sense)
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(Point is exaggerated;
qualify or tone down your argument.)
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Sometimes the conclusions that you draw
are not warranted by the evidence you have
collected to support your argument. If your
interpretation is a simple one, hesitate and
discuss it with someone before writing your
paper. Most books read in English classes
are called classics because they are subtle,
not simple. Unless your point is that an
issue indeed is black and white, it's
usually a good idea to hedge your claims
with words and phrases like generally,
sometimes, often,
to some extent, in some
ways, etc. Instead of saying, "the
evidence shows or proves
that," consider saying something like,
"the evidence suggests or
supports that."
For example, the next-to-last sentence
hedges in three ways:
"Unless
(admits that there is an
exception) your point is
that an issue indeed is black
and white, it's usually
(again admits there are
exceptions) a good idea
to hedge your claims with words
and phrases like (recognizes
that there are other such words
not specifically named here)..." |
Also, consider phrasing your arguments in
relative terms:
Oversimplified/Exaggerated:
"In The Great Gatsby,
Fitzgerald portrays Jay Gatsby
positively.
Better:
In The Great Gatsby,
Fitzgerald portrays Jay Gatsby
more positively than the
other characters of his class." |
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(Issue is oversimplified;
deepen your analysis.)
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A weak essay will draw self-evident
conclusions based on the evidence. Instead,
one should explore the complexity and
ambiguity of the moral dilemmas that we
encounter in great literature.
For instance, drawing the conclusion that
Hamlet's indecision can be explained by
simple cowardice does not do justice to the
real complexity of his character.
Furthermore, Hamlet displays physical
courage at various moments in the action. On
the ramparts, when he encounters the ghost
of his father, Hamlet brandishes his rapier
and threatens to 'make a ghost' of his
friend Horatio who is trying to prevent him
from following the vision to another part of
the castle. Cowardice cannot explain
Hamlet's behavior at this moment.
Example:
Oversimplified:
"While the rest of America was
segregated in the 1920s, jazz
was an oasis of integration."
Better:
"In the segregated U. S. of
the 1920s, the jazz world was an
area in which some integration
could take place." |
Also, consider phrasing your arguments in
relative terms:
Oversimplified/Exaggerated:
"In The Great Gatsby,
Fitzgerald portrays Jay Gatsby
positively.
Better:
In The Great Gatsby,
Fitzgerald portrays Jay Gatsby
more positively than the
other characters of his class." |
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Exercises 7.1-7.15 (Paradigm) |
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(Argument is non-topical;
focus on the question.)
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Many times students will make excellent
points in the body of an argument, but
unless the points are specifically related
to the essay's thesis, then they are not
topical and should be edited out of the
final draft.
For instance, in an essay about Macbeth's
character, it would be a mistake to focus on
why Lady Macbeth goes mad unless you can tie
that line of action directly to Macbeth's
own journey into madness.
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Exercises 7.1-7.15 (Paradigm) |
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(This passage
is disproportionate: economize or expand.) |
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This is one of the most frequent comments
inserted to student compositions.
Frequently, in early drafts of a paper, a
student will touch on very interesting ideas
but not develop them into key parts of his
or her argument. For many students writing a
rough draft is an essential stage of the
writing process. They will brainstorm
excellent insights into the text, but,
unfortunately, they do not take the time to
revise their paragraph's topic sentence or
even the essay's thesis to develop this line
of reasoning.
For instance, students writing about
Hamlet will find interesting routes into the
mystery of Hamlet's motivation, but they
won't take the time to fully explore their
insight. Many students will state that
Hamlet is much more angry with his mother
Gertrude than he is with his uncle Claudius,
but they will not take the time to explore
the significance of this idea.
At other times, students will make the
same point over and over again in a single
paragraph. The best essay writer will take
the time to substantiate the key point with
good examples, but he or she will make the
point in the fewest words possible.
Benjamin Franklin’s
Key Precepts of Good Writing
(from The Pennsylvania
Gazette)
“[Good writing] should proceed
regularly from things known to
things unknown, distinctly and
clearly without confusion. The
words used should be the most
expressive that the language
affords, provided that they are
the most generally understood.
Nothing should be expressed in
two words that can be well
expressed in one; that is no
synonyms should be used, or very
rarely, but the whole should be
as short as possible, consistent
with clearness; the words should
be so placed as to be agreeable
to the ear in reading; summarily
it should be smooth, clear, and
short, for the contrary
qualities are displeasing.” |
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Exercises 7.1-7.15 (Paradigm)
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