(Detail is insufficient; provide more complete evidence.)  


No matter how good an idea might be, it must be directly related not only to your argument but to a specific moment in the text. Choose from the text the perfect moment in the action to support your idea.

Example:

The audience should not be surprised by the stunning entrance of sleepwalking Lady Macbeth, babbling about blood and incessantly wringing her hands. One can trace the beginnings of her breakdown to moments early in the action. On the night of Duncan's murder, while she anxiously awaits her husband's return from the king's bed chamber, Lady Macbeth confides to the audience, "Had he not resembled/ My father as he slept I had done't." (II, ii, 13-14)

Using Examples in Your Argument (Darling et al)
Giving Examples and Explanations (Sentence Sense)
Using Specific Language (Sentence Sense)


 
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(Redundant. You've already made this point. Move on.)  

Even though you may be making a fine point, you must resist the impulse to make the same point over and over again. 

Use an outline to structure the different points in your argument. Make the paragraph your basic unit: one key point per paragraph. Once you've made your point, move on to another paragraph.

Pruning Redundancy (Darling et al)


Writing Concise Sentences (Darling et al)
Eliminating Wordiness (Darling et al)
Rewriting Bloated Sentences (Darling et al)
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(Point is exaggerated; qualify or tone down your argument.)  

Sometimes the conclusions that you draw are not warranted by the evidence you have collected to support your argument.  If your interpretation is a simple one, hesitate and discuss it with someone before writing your paper.  Most books read in English classes are called classics because they are subtle, not simple.  Unless your point is that an issue indeed is black and white, it's usually a good idea to hedge your claims with words and phrases like generally, sometimes, often, to some extent, in some ways, etc.  Instead of saying, "the evidence shows or proves that," consider saying something like, "the evidence suggests or supports that."

For example, the next-to-last sentence hedges in three ways:

"Unless (admits that there is an exception) your point is that an issue indeed is black and white, it's usually (again admits there are exceptions) a good idea to hedge your claims with words and phrases like (recognizes that there are other such words not specifically named here)..."

Also, consider phrasing your arguments in relative terms:

Oversimplified/Exaggerated:
"In The Great Gatsby, Fitzgerald portrays Jay Gatsby positively.

Better:
In The Great Gatsby, Fitzgerald portrays Jay Gatsby more positively than the other characters of his class."



 
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(Issue is oversimplified; deepen your analysis.)    

A weak essay will draw self-evident conclusions based on the evidence. Instead, one should explore the complexity and ambiguity of the moral dilemmas that we encounter in great literature.

For instance, drawing the conclusion that Hamlet's indecision can be explained by simple cowardice does not do justice to the real complexity of his character. Furthermore, Hamlet displays physical courage at various moments in the action. On the ramparts, when he encounters the ghost of his father, Hamlet brandishes his rapier and threatens to 'make a ghost' of his friend Horatio who is trying to prevent him from following the vision to another part of the castle. Cowardice cannot explain Hamlet's behavior at this moment.

Example:

Oversimplified:
"While the rest of America was segregated in the 1920s, jazz was an oasis of integration."

Better:
"In the segregated U. S. of the 1920s, the jazz world was an area in which some integration could take place."

Also, consider phrasing your arguments in relative terms:

Oversimplified/Exaggerated:
"In The Great Gatsby, Fitzgerald portrays Jay Gatsby positively.

Better:
In The Great Gatsby, Fitzgerald portrays Jay Gatsby more positively than the other characters of his class."



Exercises 7.1-7.15  (Paradigm)
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(Argument is non-topical; focus on the question.)  

Many times students will make excellent points in the body of an argument, but unless the points are specifically related to the essay's thesis, then they are not topical and should be edited out of the final draft. 

For instance, in an essay about Macbeth's character, it would be a mistake to focus on why Lady Macbeth goes mad unless you can tie that line of action directly to Macbeth's own journey into madness. 



Exercises 7.1-7.15  (Paradigm)
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(This passage is disproportionate: economize or expand.)  

This is one of the most frequent comments inserted to student compositions. Frequently, in early drafts of a paper, a student will touch on very interesting ideas but not develop them into key parts of his or her argument. For many students writing a rough draft is an essential stage of the writing process. They will brainstorm excellent insights into the text, but, unfortunately, they do not take the time to revise their paragraph's topic sentence or even the essay's thesis to develop this line of reasoning. 

For instance, students writing about Hamlet will find interesting routes into the mystery of Hamlet's motivation, but they won't take the time to fully explore their insight. Many students will state that Hamlet is much more angry with his mother Gertrude than he is with his uncle Claudius, but they will not take the time to explore the significance of this idea.

At other times, students will make the same point over and over again in a single paragraph. The best essay writer will take the time to substantiate the key point with good examples, but he or she will make the point in the fewest words possible. 

Benjamin Franklin’s Key Precepts of Good Writing
(from The Pennsylvania Gazette)

“[Good writing] should proceed regularly from things known to things unknown, distinctly and clearly without confusion. The words used should be the most expressive that the language affords, provided that they are the most generally understood. Nothing should be expressed in two words that can be well expressed in one; that is no synonyms should be used, or very rarely, but the whole should be as short as possible, consistent with clearness; the words should be so placed as to be agreeable to the ear in reading; summarily it should be smooth, clear, and short, for the contrary qualities are displeasing.”



Exercises 7.1-7.15  (Paradigm)

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