Study Questions
for The Tempest
In a masterpiece such as The Tempest, every theatrical
element (character, language, plot, and setting) fits into a
unified whole. If you look carefully at any single moment of
this play, you can link it to Shakespeare's overall dramatic
purpose.
You will be asked to write an essay which explains
Shakespeare's artistic purpose in The Tempest. As you
read the play, think about all the psychological pressures
which are brought to bear on Prospero that finally erupt into
the tempest. What will he do when his enemies are brought
completely under the control of his magic?
Act I, scene i: The Tempest (pp. 2-4)
pp. 2-4 The Boatswain is desperately trying to direct his
sailors to haul in the sails so that he can keep the vessel
turned into the wind. He is interrupted in his task by the
courtiers who berate him for endangering King Alonso. The
Boatswain rebukes the noblemen, "What cares these roarers
for the name of the King?" How does the tempest reveal
the superficiality of social class?
Vocabulary: Try to determine the meaning of the following
words from the way Shakespeare uses them in his verse. Use a
dictionary if you have trouble.
boatswain |
"Good boatswain, have care!" |
furlong |
"Now would I give a thousand
furlongs of sea for an acre of barren
ground..." |
Act I, scene ii: Prospero's Cell (pp.4-21)
Part One (pp. 4-9):
"the
dark backward and abysm of time"
p.4 |
What is Miranda's response to the
tempest conjured by her father? |
|
What does she know about the
motivations for her father's wrath? |
p.5 |
How is this day a momentous one in
Miranda's life? |
pp.6-8 |
How did Prospero lose his dukedom? |
|
To what extent is Prospero able to
control his anger as he re-tells the story of their
exile? |
pp.6-8 |
What primal sin has Antonio committed? |
|
What story in the Bible describes a
similar crime? |
pp.8-9 |
Notice the tone change in
Shakespeare's poetry when Prospero describes how he
and Miranda were delivered from the sea. |
|
How is Providence at work beneath the
surface of the action in The Tempest? |
|
What imagery does Shakespeare use to
describe the mysterious workings of Providence? |
p.9 |
How has Providence made it possible
for Prospero to seek his revenge? |
|
|
Vocabulary:
welkin |
"the sea, mounting to the
welkin's cheek, dashes the fire out..." |
perdition |
"not so much perdition as an
hair..." |
bootless |
...left me to a bootless
inquisition... |
abysm |
"What seest thou else In the dark
backward and abysm of time?" |
perfidious |
"that a brother should be so
perfidious!--" |
signories |
"Through all the signories it was
the first..." |
rapt |
"rapt in secret studies" |
inveterate |
"an enemy to me inveterate" |
extirpate |
"extirpate me and mine out of the
dukedom" |
cherubim |
"O, a cherubim thou wast that did
preserve me." |
infuse |
"Thou didst smile infused with a
fortitude from heaven..." |
mantle |
[Resumes his mantle.] |
prescience |
"by my prescience |
zenith |
I find my zenith doth depend upon |
auspicious |
a most auspicious star..." |
Part Two:
Ariel
(pp. 9-13)
pp. 9-10 |
Describe Ariel's powers. What can this
spirit do? Is Ariel human? |
|
List some of the words Shakespeare
uses to describe Ariel: |
pp. 11-12 |
Why does Ariel demand freedom? |
|
What would Ariel be doing if not under
the control of Prospero's will? |
pp. 11-13 |
From whom did Prospero free Ariel? |
|
What torments did Ariel suffer under
his old mistress? |
|
Is her power equal to that of
Providence? |
pp.11-13 |
What is the symbolic meaning of
Ariel's story? |
|
How is Shakespeare describing a
European interpretation of how human nature
progressed from a savage to a civilized state? |
Vocabulary:
Bermoothes |
"Thou call'dst me up at midnight
to fetch dew
From the still-vex'd Bermoothes..." |
bate |
"thou didst promise to bate me a
full year...." |
malignant |
"Thou liest, malignant
thing!" |
manifold |
"mischiefs manifold and sorceries
terrible" |
abhorr'd |
"her earthy and abhorr'd
commands" |
whelp |
"A freckled whelp hag-born" |
entrails |
"I will rend an oak and peg thee
in his knotty entrails..." |
Part Three:
Caliban
(pp. 13-16)
pp. 13-14 |
Who or what is Caliban? Is he really,
as Prospero describes him, a child 'got by the Devil
himself'? |
pp. 11-14 |
List words Shakespeare uses to
characterize Caliban. |
pp. 14-15 |
Could Prospero and Miranda have
survived on the island without Caliban's help? Why couldn't Ariel have done the
work? |
p.15 |
What happened when Prospero and
Miranda tried to teach Caliban how to speak English? |
p.15 |
Is the idea of marriage between
Caliban and Miranda really disgusting? |
|
How has the tempest raging in
Prospero's mind been fed by his failure to properly
educate Caliban in European ways? |
|
|
Vocabulary:
apparition |
"Fine apparition! My quaint
Ariel..." |
fen |
"wicked dew from unwholesome
fen" |
Part Four:
Ferdinand
(pp. 16-21)
pp.16-17 |
Who is Ferdinand? |
|
What does he believe has just happened
to his father? |
pp.16-17 |
What effect has Ariel's mysterious
music had on Ferdinand? |
p.17
|
Look carefully at the second verse of
the song Ariel sings to Ferdinand:
How might the action of the whole play describe
"a sea-change into something rich and
strange"? |
pp.17-18 |
What is Miranda's first reaction to
seeing Ferdinand? |
|
How is Ferdinand different from
Caliban? |
pp.18-20
|
In his asides to the audience Prospero
seems pleased by the happy first encounter between
Miranda and Ferdinand, but he speaks angrily to
Ferdinand and threatens him. What happens when
Ferdinand draws his sword?
What tests must Ferdinand pass before Prospero will
let him marry with Miranda? |
Vocabulary:
featly |
"Foot it featly here and
there..." |
chanticleer |
"I hear the strain of strutting
chanticleer Cry, Cock-a-diddle-dow..." |
Act Two, scene i:
What's
Past is Prologue (pp.21-29)
pp. 21-22 |
How do Gonzalo and Adrian describe
this tropical isle? |
|
What has happened to the courtiers'
rich garments after having been drenched in sea
water? |
|
How is this detail related to the
imagery of the play? |
pp. 21-24 |
Who are Antonio and Sebastian? How are
they related to Prospero? |
|
What do they think of Gonzalo and
his assessment of their predicament on this isle? |
pp. 22-23 |
From whence had the royal fleet sailed
before the tempest struck them? |
|
(Note Shakespeare's rather curious
idea of the geographical location of the Bahamas.) |
|
Was there any objection among the
courtiers to the inter-racial nature of this royal
wedding? |
p.24 |
What is Gonzalo's vision of the
government which could be created on this island? |
|
What would prevent the realization of
this plan? |
|
Compare this passage with the glowing
depictions of the New World presented in many of the
publicity pamphlets used by the Virginia Company to
promote colonization of North America. |
p. 25 |
What causes the courtiers to drop off
to sleep? |
pp.26-28 |
What primal crime do Antonio and
Sebastian plot while the others sleep? |
|
According to Antonio, what is the only
obstacle which prevents him and Sebastian from
achieving their dream? |
|
What form of government could prevent
this plot? |
pp. 28-29 |
What prevents the villains from
carrying out their scheme? |
|
Can Prospero do anything to prevent
evil people from thinking such thoughts and acting
upon them? |
|
|
Vocabulary:
temperance |
" [This isle] must needs be of
subtle, tender and delicate temperance." |
enmity
|
"he trod the water, whose enmity
he flung aside, and breasted the surge most swolln
that met him" |
contentious |
"his bold head 'bove the
contentious waves he kept" |
commonwealth |
"I' the commonwealth I would by
contraries execute all things..." |
tilth |
"Bourn, bound of land, tilth,
vineyard" |
foison |
"nature should bring forth, of
its own kind, all foison, all abundance" |
chough |
"As this Gonzalo; I myself could
make a chough of as deep chat..." |
kibe |
"Ay, sir; where lies
[conscience]? if 'twere a kibe, 'twould put me to my
slipper..." |
Act II, scene ii:
O
brave monster! (pp.29- 34)
pp. 29-30 |
What does Caliban believe is
approaching him when he sees Trinculo? |
p. 30 |
What does Trinculo believe he has
encountered when he stumbles upon Caliban just as
the storm breaks again? |
pp. 31-32 |
When the drunken Stephano sees Trinculo
and Caliban hiding beneath the gaberdine, what kind
of exotic creature does he believe he has
discovered? |
pp.33-34 |
What new language does Caliban learn
from Stephano when he tastes liquor for the first
time? Why does Caliban kneel to Stephano? |
|
What plot does the drunken Caliban
hatch? |
|
How does this comic sub-plot relate to
the larger action of the play? |
|
|
Vocabulary:
urchin |
"Fright me with
urchin--shows..." |
firebrand |
"lead me, like a firebrand, in
the dark..." |
mow |
"Sometime like apes that mow and
chatter at me" |
gaberdine |
"my best way is to creep under
his gaberdine" |
ague |
"This is some monster of the isle
with four legs, who hath got, as I take it, an
ague." |
neat's leather |
"he's a present for any emperor
that ever trod on neat's leather" |
siege |
"How camest thou to be the siege
of this moon-calf?" |
a butt of sack |
"I escaped upon a butt of
sack..." |
scurvy |
"This is a scurvy tune
too..." |
abominable |
"An abominable monster!" |
trencher |
"Nor scrapetrencher, nor wash
dish" |
|
|
Act III, scene i:
Admired
Miranda! (pp. 34-37)
p.34 |
What odious task has Prospero assigned
the prince? |
|
Why is Prospero humbling Ferdinand? |
pp. 35-36 |
Who proposes marriage? |
|
Is this act immodest? |
|
How would a typical Elizabethan
father have responded to such an act? |
p. 37 |
What is Prospero's response when he
witnesses the lovers' exchange of vows? |
|
Describe the complicated nexus of
feelings that a father undergoes when his daughter
decides to get married. |
|
|
Vocabulary:
odious |
"This my mean task would be as
heavy to me as odious..." |
quickens |
"The mistress which I serve
quickens what's dead" |
sinews |
"I had rather crack my sinews,
break my back," |
dower |
"the jewel in my dower" |
appertain |
"I must perform much business
appertaining..." |
Act III, scene ii:
When
Prospero is destroyed. (pp.37-41)
pp. 37- 39 |
What do the drunkards plan? |
|
How will they accomplish their plan? |
p. 39 |
What does Caliban plan to do to
Trinculo once Stephano has become
the king of the island? |
|
How can ambition makes a mockery of
the law? |
pp. 38-39 |
How do Ariel's tricks cause the rebels
to quickly turn on each other? |
p. 40 |
Look carefully at Caliban's speech
which begins, |
|
"Be not afeard; the isle is full of
noises...." |
|
What brave new world has opened for
Caliban since Prospero has taught him how to speak? |
|
Has his encounter with the Europeans
been positive or negative |
Vocabulary:
deboshed |
"Why, thou deboshed fish
thou,..." |
pied ninny |
"What a pied ninny's this!
Thou scurvy patch!" |
pox |
"A pox o' your bottle!" |
paunch, wezand |
"paunch him with a stake, or cut
his wezand with thy knife." |
sot |
"without them he's but a sot, as
I am" |
viceroys |
"Trinculo and thyself shall be
viceroys..." |
tabour |
"Ariel plays the tune on a tabour
and pipe." |
Act III, scene iii:
The
Deep and Dreadful Name of Prosper (pp.41-44)
pp. 41-42
|
Note the exhausted courtiers' cautious
response when a delectable banquet of tropical foods
magically appears before them. Can you think of
other stories in which it is highly dangerous to
accept food from dream-like strangers? What might
happen? |
p.42 |
At what precise moment does this
dream-like scene suddenly flip to nightmare? |
pp. 43-44 |
Under Ariel's spell, what are Alonso,
Antonio and Sebastian forced to see? |
|
What effect do these revelations have
on their brains? |
|
Is such a punishment possible in the
real world? |
|
Would a moral government use such a
tool to achieve justice? What is your judgment of
the revenge Prospero has chosen to take? |
|
|
Vocabulary:
meanders |
"here's a maze trod indeed
through forth-rights and meanders!" |
salutation |
"they dance about it with gentle
actions of salutation..." |
drollery |
"A living drollery..." |
dew-lapped |
"mountaineers dew-lapp'd like
bulls..." |
harpy |
"Enter ARIEL, like a harpy; claps
his wings upon the table..." |
surfeited |
"the never-surfeited sea Hath
caused to belch" |
supplant |
"From Milan did supplant good
Prospero..." |
perdition |
"Lingering perdition, worse than
any death" |
plummet |
"I'll seek him deeper than e'er
plummet sounded" |
Act IV, scene i:
The
Masque: A Most Majestic Vision (pp. 44-52)
pp. 44-45 |
How has Ferdinand passed Prospero's
test? |
|
What warning does Prospero give the
young lovers? |
pp.46-48
|
What majestic vision does Prospero
summon up to celebrate his daughter's betrothal? |
|
Use your imagination and conjure up a
suitable spectacle to celebrate such a moment. What spirits would you summon to the
scene? |
p.48 |
What causes the celebration to
suddenly evaporate? |
|
How does Prospero behave when he
suddenly remembers? |
p.48 |
Look carefully at Prospero's speech
beginning |
|
"Our revels now are ended..." |
|
What is Prospero saying? |
|
What is his new philosophy of life? |
|
Is the speech cynical, or does it
express wisdom? |
pp. 49-50 |
Even though Prospero and Ariel can
easily deal with Caliban's plot, what un-resolvable
philosophical problem does their rebellion present? |
|
Do you agree with Prospero's final
condemnation of Caliban? Is he |
|
"A devil, a born devil, on whose nature/
Nurture can never stick...."? |
pp. 50-52 |
What prevents Stephano and Trinculo
from following through on their plans? |
|
How are they punished? |
Vocabulary:
austerely |
"If I have too austerely punish'd
you..." |
vexation |
"all thy vexations were but my
trials of thy love" |
sanctimonious |
"sanctimonious ceremonies" |
aspersion |
"No sweet aspersion shall the
heavens let fall..." |
dalliance |
"do not give dalliance too much
the rein" |
abstemious |
"be more abstemious, Or else,
good night your vow..." |
sedged |
"With your sedged crowns and
ever-harmless looks..." |
furzes, goss |
"Tooth'd briers, sharp furzes,
pricking goss and thorns" |
trumpery |
"the trumpery in my house, go
bring it hither" |
canker |
"as with age his body uglier
grows, so his mind cankers" |
pard |
"more pinch-spotted make them
Than pard or cat o' mountain" |
Act V, scene i:
O
brave new world! (pp. 52-62)
pp. 52-53
|
Once Prospero has attained absolute
control over all of his enemies, he breaks his magic
staff and gives up his opportunity to wreak revenge
upon his enemies. |
|
Why does he do this? |
|
Does his choice surprise you? |
|
How has Prospero himself been
transformed by the action of the play? |
p.54 |
In what state of mind have the
courtiers been captured? |
p.55 |
What is Alonso's immediate response
when he beholds Prospero? |
p.56 |
Why doesn't Prospero reveal Antonio
and Sebastian's treachery to Alonso? |
p.57 |
What are Ferdinand and Miranda doing
when Prospero reveals them
to the courtiers? |
|
How does Miranda respond when she sees
the courtiers? |
p.58 |
How have the kingdoms of Milan and
Naples been blessed through the action of the play? |
pp. 59-60 |
What will happen to Caliban when the
courtiers return home? |
|
What does Prospero plan to do when he
returns to Milan? |
p. 61 |
What is Prospero's last request of
Ariel before he sets him free? |
p. 62 |
Why does Prospero ask for the
audience's indulgence to set himself free. |
|
The Tempest was Shakespeare's last
play. After writing it he retired to Stratford and
gave up playwriting. |
|
How does this speech represent
Shakespeare's farewell to the London stage and his
career in the theatre? |
Vocabulary:
eaves |
"His tears run down his beard,
like winter's drops from eaves of reeds..." |
rifted |
"I have given fire and rifted
Jove's stout oak" |
promontory |
"With his own bolt; the
strong-based promontory have I made shake and by the
spurs pluck'd up the pine and cedar..." |
abjure |
"But this rough magic I here
abjure..." |
rapier |
"Ariel, fetch me the hat and
rapier in my cell..." |
rankest |
"I do forgive thy rankest
fault..." |
|
|
Epilogue
indulgence |
"Let your indulgence set me
free." |
|
|
|