European Humanities
Spring 2007
Short Story Unit: 19th Century Ideologies
“The Black Cat” (1843) by Edgar Allan Poe
Lecture Notes:
Romanticism
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Poetry is the true tool of the philosopher. It alone can
penetrate the depths of the human psyche. Neither rational analysis nor
geometric calculation will help you explain the narrator of “The Black Cat”.
The Short Story genre: (a phenomenon of the Romantic age)
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a deft, intense depiction of a single dramatic action. In an
flash the whole universe is unveiled.
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“The Black Cat” appeared first in Graham’s Magazine,
a publication with a mass market circulation.
The First Person Subjective Narrator
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Poe discovers how useful this literary tool is to provide
the elaborate and articulate surface of this story with a rich, suggestive
and ultimately terrifying sub-text.
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We are limited to the point of view of someone who might be
untruthful for a variety of reasons
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Piecing together the truth requires an imaginative detective
who sifts all the information skeptically and searches for slips, omissions
or deliberate distortions which might reveal the truth. Look for misplaced
emphasis or unusual diction.
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The unreliable narrator may be:
o
Openly lying
o
Deliberately omitting important information
o
Distorting the truth
o
There may be evidence that he is repressing
the truth.
o
The unreliable narrator may be hallucinating,
existing in a totally different reality.
Creative Writing ala Poe
Write a story using the first person unreliable narrator
and the Poe Vocabulary list. Create a diabolical character who, like Poe’s
narrator, faces judgment and is taking this opportunity to tell his side of
the story.
Poe Vocabulary:
homely
solicit
succinct
baroque
docile
sagacity
gossamer
congenial
procure
tincture
debauch
equivocal
perverse
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conflagration
atrocity
bas-relief
apparition
stupefy
evince
odious
pestilence
pertinacity
incarnate
incumbent
demoniacal
anomaly
chimaera
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