excerpted from An Intellectual
History of Modern Europe by Marvin Perry
Romanticism and
German Idealism
The early nineteenth century saw the
flowering of a new cultural orientation. Romanticism, with its plea for the
liberation of human emotions and the free expression of personality and
imagination, challenged the Enlightenment’s stress on rationalism. The
movement embraced writers, artists and thinkers throughout the western world.
Romantics were liberals and conservatives, revolutionaries and reactionaries;
some were occupied with religion and God while others paid little attention
to faith.
The
Philosophe vs. the Romantic
Perhaps the central message of the
romantics was that the imagination of the individual should determine the
form and content of an artistic creation. The philosophes of the
Enlightenment had attacked faith because it thwarted and distorted reason;
now the romantics denounced the scientific rationalism of the philosophes
because it stifled the emotions and impeded creativity. Like the philosophes
they gave high value to the individual, but they accused them of turning
flesh and blood human beings into soulless thinking machines. The
Enlightenment’s geometric spirit, which sought to fit all life into a
mechanical framework had diminished and demeaned the individual. The
romantics agreed with Rousseau that feeling not thinking is the essential
part of our being and that a good heart - the moral self - is superior to a
powerful intellect. Romantics cherished the creative experience, which they
linked with the transcendent.
Where the philosophes had concentrated
on those elements of human nature shared by all people, the Romantics
emphasized human diversity and uniqueness. They encouraged artists and
thinkers to discover and express their true selves: cultivate your own
imagination, play your own music, write your own poetry, paint your own
personal view of nature, experience love and suffering in your own way. The
philosophes had asserted the autonomy of the mind, its capacity to think for
itself independent of authority; Romantics gave primary importance to the
autonomy of the personality- the individual’s need and right to fulfill the
inner self. This intense introspection- the individual’s preoccupation with
his or her own feelings- is the distinguishing feature of romanticism.
The philosophes had regarded feeling as
an obstacle to clear thinking. They argued that the rational faculties should
exercise tight control over imagination, intuition, inspiration and
sentiments. To the Romantics however, feelings were the human essence. Reason
could not comprehend or express the complexities of human nature nor the
richness of human experience. By always dissecting and analyzing, by imposing
deadening structure and form, and by demanding adherence to strict rules,
reason crushed inspiration and creativity, barring true understanding.
Coleridge, a leader of the Romantic
movement in British poetry, said, “[The poet is the one] with a soul
unsubdued by habit, unshackled by custom, who contemplates all things with
the freshness and wonder of a child.” Poetry is a true philosophy, the
Romantics said: it can do what rational analysis and geometric calculation
cannot: speak directly to the heart, clarify life’s deepest mysteries, and
penetrate to the depths of human personality. The poet’s imagination, said
the Romantics, is an avenue to a higher reality beyond the visible world; it
enables the individual to participate in the eternal and to discover the
transcendent. To exercise the poetic imagination was to partake in God’s
creative activity. God manifests himself in the human imagination. To think
profoundly, one has to feel deeply. For reason to function best, it must be
nourished by the imagination, intuition and feeling.
The Enlightenment mind had been clear,
critical, and controlled. It had adhered to standards of esthetics thought to
be universal that had dominated European cultural life since the Renaissance.
It stressed technique, form, order, and changeless patterns and tended to
reduce the imagination to mechanical relationships. Romantic poets, artists,
and musicians broke with these traditional styles and austere rules and
created new cultural forms and techniques. Dismissing a belief in eternal
models, the Romantics valued esthetic freedom and diversity. Only by looking
within themselves, by trusting to their own feelings could individuals attain
their creative potential and achieve self-realization. The most creative
works of art were not photographic imitations of nature but authentic and spontaneous
expressions of the artist’s feelings, fantasies and dreams. In their zeal to
convey the immediacy of the internal experience, the Romantics explored the
inner life of the mind, which Freud would later call the unconscious. It was
this layer of the mind, the wellspring of creativity- mysterious, primitive,
more elemental and powerful than reason- that the Romantics yearned to
revitalize and release.
Nature,
God and History
The philosophes had viewed nature as a
mechanism, a giant clock, all of whose parts worked together in perfect
precision and harmony. Nature’s laws, operating with mathematical certainty,
were uncovered by the methodology of science. Neoclassical artists sought to
portray nature’s inherent order. Rejecting this impersonal mechanical model,
Romantics reacted to nature in an emotional way, inspired and awed by its
beauty, majesty and hidden powers. Instead of having created a machine, God,
to the Romantics, was immanent in the creation.
To the Romantics, nature was alive and
suffused with the presence of God. Nature stimulated the creative energies of
the imagination, and it taught human beings a higher form of knowledge. Not
the mathematician’s logic but the poet’s imagination unlocked nature’s most
important secrets. English Romantics decried their country’s drab factories:
the ‘dark satanic mills’ that polluted streams, blackened towns with grime
and soot, and separated people from natural beauty. The philosophes had seen
God as a great watchmaker, a detached observer of a self-operating mechanical
universe. They tried to reduce religion to a series of scientific
propositions. For the Romantics, religion was not science and syllogism but a
passionate and authentic expression of human nature. Faith, thy said, did not
derive from the mind’s acceptance of dogma but from an awareness of God’s
presence in nature and the human heart.
The philosophes had viewed the Middle
Ages as an era of darkness, superstition, and fanaticism and regarded
medieval institutions and traditions as barriers to progress. The Romantics,
on the other hand, revered the Middle Ages. The years of the French
Revolution and Napoleon and the breakdown of political equilibrium had
produced foreboding about the future. To the Romantic imagination, the Middle
Ages abounded with heroic and chivalrous deeds, noble sentiments, and social
harmony.
The Romantics and philosophes held
different conceptions of history. For the philosophes, history served a
didactic purpose by providing examples of human folly. To the Romantics, a
historical period, like an individual, was a unique entity with its own soul;
it could not be described in terms of universal principles. They wanted the
historian to portray and to analyze the variety of nations, traditions and
institutions that constitute the historical experience. Searching for
universal principles, the philosophes had dismissed folk traditions as
peasant superstitions and impediments to knowledge and progress. The
Romantics saw folk expression as the unique creation of a people and the
deepest expression of national feeling. Their celebration of folk art, myth,
song and legend was instrumental in shaping modern nationalism.
The
Impact of the Romantic Movement
By
focusing on the creative capacities inherent in the emotions the Romantics
shed light on a side of human nature that the philosophes had often
overlooked or undervalued. Future artists, writers and musicians would
proceed along the path opened by the Romantics. Modern art owes much to the
Romantic Movement’s emphasis on the legitimacy of human feeling and its
exploration of the hidden world of dreams and fantasies. By recognizing the
distinctive qualities of historical periods, peoples and cultures, the
Romantics helped create the modern historical outlook. By valuing the nation’s
past, Romanticism contributed to modern nationalism and conservatism.
The Romantics’ emphasis on feeling
found expression in humanitarian movements that fought slavery, child labor
and poverty. Romantics were also among the first to attack the emerging
industrial capitalism for subordinating individuals to the requirements of
the industrial process and treating them as things. However, there was a
potentially dangerous side to the Romantic Movement. By waging their attack on reason with
excessive zeal, the Romantics undermined respect for the rational tradition
of the Enlightenment and thus set up a precondition for the rise and triumph
of fascist movements in the twentieth century. By idealizing the past and
glorifying ancient folkways, legends, native soil, and native language, the
romantics introduced a highly charged and nonrational component into
political thought. “[It produced] a general climate of inexact thinking, an
intellectual...dream world and an emotional approach to problems of political
action to which sober reasoning should have applied.” (Horst Von Malitz)
The philosphes would have regarded the
Romantics’ veneration of a people’s history and traditions and their search
for a nation’s soul in an archaic culture as barbarous- a regression to
superstition and a triumph of myth over philosophy.
German Idealism
The new stress by Romantic thinkers on
the primacy of the inner person also found expression in the school of German
philosophy called Idealism.
Idealists emphasized the values of the spirit over the logic of materialism
and explained the world in spiritual terms. Spirit determines the form of the physical world. A higher
reality, a world of ultimate truth does exist and can be reached through our
inner nature, our spiritual self.
Hume’s Skepticism:
Challenge to the Enlightenment
David Hume, the great British
empiricist and skeptic, cast doubt on the view that scientific certainty was
possible. Science rests on the bedrock conviction that regularities observed
in the past and present will be repeated in the future. Science is based on
the existence of an objective reality which rational creatures can
comprehend. Hume, however, had argued
that science cannot demonstrate even a fundamental connection between cause
and effect.
Hume used the example of a match
burning a finger to prove his point that we cannot be absolutely sure of
anything in nature. Just because a match burns our finger, we assume a cause
and effect relationship. However, all we can acknowledge is a constant
conjunction between the flame and the burning sensation. It is merely habit
and the mind’s capacity to make associations that lead us to link events in
cause and effect relationships. According
to Hume, a radical empiricist, sense perception is the only source of
knowledge, and our sense perceptions can never prove a necessary
connection between what we customarily perceive as cause and effect. We
can only have impressions of happenings, but we cannot completely understand
why they happen. Experience tells us only what happens at a particular
moment. It cannot tell us with certainty that the same combination of events
will be repeated in the future. What we mean by cause and effect is simply
something that the mind, through habit, imposes on our sense perceptions. For
practical purposes, we can say that two events are in association with each
other, but we cannot conclude with certainty that the second was caused by
the first.
Hume’s skepticism extended to the most
basic assumptions of science. He could not prove that natural law is in
effect in the universe. Therefore scientific knowledge is not unqualifiedly
certain. It is habit and not certainty that leads us to conclude that the sun
will come up in the morning. Instead of thinking of the universe as a celestial
watch, he argued that it could just as easily be thought of as a celestial
tomato: don’t all of its parts fit together as well?
The great German idealists, Kant and
Hegel, responded to Hume’s challenge and rescued reason and science from
skepticism.
Immanuel Kant (1724-1804)
Rescuing Scientific
Validity
Kant, the great German philosopher, was a proponent of Newtonianism and the
scientific method. He undertook the challenge of rescuing reason and science
from Hume’s skepticism. In doing so he articulated a new theory of
epistemology, the branch of philosophy which explains how we learn. His ideas
mark a turning point in the history of Western philosophy.
In The Critique of Pure Reason
(1781) Kant rejected Locke and Hume’s theory of knowledge as derived from
sense impressions, the mind conceived as a tabula rasa on which
sensations determine our experience.
Instead, Kant conceived of the mind as an active agent which structures,
organizes and interprets with inherent logic the phenomena of sensation.
Kant believed in inherent, a priori categories of understanding,
categories of thought with which we are born.
Kant agreed with Hume that we cannot
conclude a necessary link between cause and effect based on experience alone.
However, he rejected Hume’s contention that mere habit leads us to connect
natural phenomena. For Kant, cause and effect have an objective existence
that is graspable by an inherent component of human consciousness: reason.
The mind allows us to presuppose cause and effect in our experience with
objects. The mind itself imposes
structure and order upon our sense experiences. The mind creates our
understanding of nature. These a priori categories of the mind allow
us to attribute certainty to scientific knowledge. The physical world
possesses certain definite characteristics because these characteristics
conform to categories inherent in our minds. “The object must accommodate
itself to the subject.” We see nature
in a particular way because of the mental apparatus we bring to it. The
mind gives coherence and law to the surging chaos of phenomena which are the
raw materials of sense experience.
Kant rescued science from Hume’s
assault, but in the process, Kant made scientific law dependent upon the mind
and its a priori categories. Objects in Kant’s universe conform to the
rules of the human mind. The knowing subject creates order within nature.
Kant saw the human mind as an active agent, unlike Locke who saw it as a
passive receptacle for sensations. Kant invented a revolutionary new way of
conceiving the relationship between subject and object. It gave new,
unprecedented importance to the human mind. Since Kant, Western thinkers have conceived of the objective world as
always to some degree the creation of the subjective mind.
Rescuing
Christianity and Morality
Kant also sought to preserve the
validity of Christianity and the certainty of morality in The Critique of
Practical Reason (1788). To preserve religious faith and universal
morality, Kant had to place limitations on the scientific method. Certain
moral and religious truths lay beyond the realm of experience and science.
Truth precedes experience.
Kant agreed with Hume that we cannot
know ultimate reality. Our knowledge is limited to the phenomenal world. We
also cannot perceive an object’s truth separate from our mind’s
interpretation of it. Logic can only
work with our sensations of the object. We can say nothing of the sun’s
true nature, only the way that the sun appears to us. Our impression of it is
formed by the mind’s ordering of our sense experiences. Therefore, science
deals only with the world of appearances, of sense experience and not with
ultimate reality. A science which grasps total reality is impossible.
We cannot prove that the individual has
an immortal soul and free will; nor can we prove that there are invariable
moral laws, that there was a creation, or that God exists. Nor can we prove
God’s existence through speculative logic, the way Descartes did.
Nevertheless, Kant argues, moral law does exist in our hearts. Human beings
are not only rational but moral beings. Like Rousseau, Kant held that our
inner voice, our conscience, is the source of morality; it tells us what is
right and commands us to do out duty. It leads us to act as if God were observing
and judging us. For Kant, in effect,
God reveals his existence in the human conscience. Kant believed that the
existence of God justifies the existence of moral standards, free will and an
afterlife-- a higher reality beyond experienced phenomena. This nouemenal
world is revealed to us through moral experience, not through the
experience of our senses. The furthest reaches of reality are revealed to us
through moral experience. Each individual person is free, through an
autonomous will, to enter that world.
For Kant morality is based on an
ethical imperative: “Can you will that your maxim should also be a general
law?” In other words, “Do unto others as you would have them do unto you.”
Kant’s response to the challenge of
Hume’s skepticism not only rescued the validity of the scientific method, but
it transformed our conception of knowledge itself. The subjective human mind
became the shaper of the objective phenomena of existence. Kane also rescued
morality from the skeptics by insisting on the existence of an aspect of our
consciousness beyond the categories of understanding, the conscience, which
permits us to perceive the ultimate truth of reality through moral
experience.
G.W.F. Hegel
(1770-1831)
Kant held that the knowledge of
absolute reality is beyond the mind’s reach and is forever denied us. Gerog
Wilhelm Friedrich Hegel, another German philosopher, could not accept this. He constructed an all-embracing
metaphysical system that attempted to explain reality by uncovering the
fundamental nature and meaning of human history. In the process, he
synthesized the leading currents of thought in his day: the Rationalism of
the Enlightenment, Romanticism, and Kantian philosophy.
Hegel inherited from the philosophes a
respect for reason and the conviction that the universe is intelligible. The
Romantics taught him to appreciate the diversity of human experience and
search for truth in the varieties of cultural life in history rather than in
an unchanging natural order. He also learned from the Romantics the uses of
passion as a method of motivating the masses. From them he also acquired an
aspiration to see society as an organic unity of interdependent parts which
reflects the absolute truths of the universe.
Hegel agreed with Kant’s conception of
a human mind which imposes order on objective reality, but he believed that
ultimate reality is knowable to the human mind. The mind can grasp the
essential meaning of human experience. He believed that there exists a
Universal Mind - Absolute Spirit - which expresses itself in the minds of
individual thinkers and can be apprehended through thought.
Reason and History
Plato believed that true reality, the
Idea, was static, timeless, unchanging and transcendent; it existed in a
higher world apart from the transitory phenomena of life. Hegel believed that ultimate reality was
characterized by change and development; it could be found in the concrete
world of human experience. Absolute Spirit expresses itself in cultural
life, in our institutions and in our political conflicts. Truth can be
discovered by developing a deeper understanding of existing things. To Hegel,
the study of history plays a central role in our understanding of the
Absolute Spirit. Truth unfolds and
makes itself known to the human mind in the arena of world history.
History studies the development and actualization of an immanent God.
Hegel believed history proceeds
according to a purposeful plan. Each period in world history has a
distinctive spirit or character that separates it from every preceding age.
Each period possesses an organic unity which coherently expresses itself in
the art, philosophy, religion, politics and leading events of the time. Hegel believed that history is a dynamic,
rational process: each historical period is related to the period which
preceded it and the one that followed it. The purpose of history is the
gradual manifestation of the Absolute Spirit. Hegel believed that the end
of this process would be human self-knowledge. History is progressing towards
greater freedom for mankind. Nation states and their most exceptional
leaders are the medium through which the Spirit expresses itself.
Hegel argued that the spirit manifests itself in history through a dialectical tension
between opposing forces or ideas. The struggle between one force (thesis)
and its adversary (antithesis) is evident in all spheres of human activity.
This clash of opposites gains in intensity and ends in a resolution that
unifies both opposing ideas in a higher form of the truth (synthesis). Then,
after a period of time, a new antithesis arises to oppose this form of
truth, and a new clash of opposing
forces takes place. This struggle is sometimes expressed in revolutions and
wars, sometimes in art, history and philosophy. Thus civilization progresses
to higher and higher stages of being, closer and closer to the realization of
the divine Spirit. The dialectic is the march of Spirit through human
affairs.
Hegel believed that freedom is the
essence of the human spirit. Through
history humans are progressing towards consciousness of their own freedom.
They are becoming aware of their self-determination and better able to
regulate their lives rationally. With experience and maturity collective
humanity is moving purposely from epoch to epoch towards the goal of freedom.
Hegel
understood the evolution of freedom as the gradual realization of an idea. In the ancient oriental world of
despots where only one person, the tyrant, was truly free, the people could
not even conceive of the idea of freedom. The awareness of freedom first
arose among the Greeks, but their society was still founded upon slavery. The
Greeks only knew that some people were free- not man as such. Hegel believed
that the Germanic people under the influence of Christianity were the first
to attain the consciousness that man, as man, is free. It would take
centuries for this principle of freedom, originating in early Christianity
and culminating in the Lutheran Reformation, to be applied to political
relations.
Political Thought
Hegel did not believe that freedom is a
matter of securing abstract natural rights for the individual, as was the
goal of the French Revolution. Rather, true freedom is attained only within
the social group. Human beings discover their essential character, their
moral and spiritual potential, only as citizens of a cohesive political
community.
Liberal constitutions seek to provide a
secure environment for individuals to pursue their own interests. For Hegel,
the state fulfilled a loftier function. Like Rousseau, he hoped that the
government would make possible the individual’s full development as a human
being. Hegel believed that reason had fully manifested itself in the modern
state, the highest form of human association. The state forcibly joins isolated
individuals into a community and substitutes a rule of justice for the rule
of instincts.
It is not surprising that Hegel, who
was no political revolutionary, found that the pinnacle of the consciousness
of freedom had been discovered in the Germany of his own day. He deemed the
Prussian state which had an
autocratic king, no constitution, no popularly elected parliament, and
government imposed censorship-- to be the summit of freedom. The national
state was the supreme achievement of Absolute Spirit. Its constitution grows
out of a people’s historical experience, not the human intellect.
The state does not acknowledge abstract
rules of good and bad but is bound only by the duty of self-preservation. He
justified war as something that is fundamentally moral and necessary, the
means by which Spirit unfolds in history. He also extolled power. Hegel
claimed that in every historical epoch the World-Spirit hands over to a
particular people a mission of world-historical importance. This Romantic and
mystical conception of the nation’s mission would be abused by later German
nationalists.
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