Creative Writing Workshop Two
1. Meeting in Pairs a) Read
through: - Read the manuscript carefully once, without writing
commentary. - Stay aware of what your reactions are. What are you
feeling and noticing as you read along? b) Marginal
Commentary - Return to the manuscript, and mark in the margins
those lines, images, turns of phrase, and moments of excellent writing that
struck and impressed you. - Use “I think…” statements that are descriptive and
non-judgmental. Be positive! - Mark those places where you lost interest or where
the picture in the writer’s eye is not clear in your own imagination. - The purpose of the marginal commentary is for you to
engage in a running dialogue with the manuscript. c) Feedback
paragraph - At the end of the manuscript, write a full paragraph
of feedback to the writer. - Cover both the strengths and weaknesses equally. - What has the writer done particularly well and why? - What, to your mind, is the story or essay really
about? - What was the writer’s intention? Is the writer
successful in achieving his/her goal? - Be gentle and respectful. The purpose of giving
feedback is to help the writer revise and write a better piece on the next go
round. 2. Full Class Workshop Format a) Read-through: - The writer gets a chance to say a few words before
reading, and then he or she reads the work out loud. - The group comments upon the piece after the writer
has finished reading the story/essay - The writer
remains silent during this comment period, taking notes. b) Commentary: - The group first discusses the story’s strengths. - They then discuss what this story/piece seems to be
about. - They then identify particular strengths and
weaknesses in the piece. - They propose questions for the writer. c) The
writer gets the last word. |